top of page
Seamless-Rust-Texture.jpg

Fractal

In the late seventies Johns began to use a Y shape as the underlying building block for some of his sculptures. This was a long time before the term fractal appeared in common language as a building block to explain the organic growth patterns of rivers, trees, the arterial system of the human body and many other organic systems. Johns derived the shape as a symbol reflective of a male and female unity. As such he felt it had potency as a basic building block to build complex forms. It also suggests that beneath what can be seen there may be an underlying pattern which points to everything being interconnected. In this area contemporary Physics, the Arts and the older Perennial Philosophies have begun to share common ground. A wealth of figurative and abstract forms have unfolded from the use of the Y shape.

Greg Johns At the Centre There is Nothing

At the Centre There is Nothing

20013, corten steel, 400x400x190cm, Mosman Bay, Sydney, NSW

Greg Johns, Fractal Mandala

Fractal Mandala

2001, corten steel, 500cm high, Adelaide, South Australia

Greg Johns The Dance Continues

The Dance Continues

1987/88, corten steel, 850x850x950cm, Macquarie University Collection, NSW 

img552.jpg

Woven - Interwoven (Beyond the Flatlander)

2009, mild steel, 60x150x86cm, Private Collection, Victoria

2021-09-21 14.34.38.jpg

Within - Without (of Land and Spirit)

2020-2021, solid mild steel, 500cm high, Lachlan River Sculpture Trail Collection, NSW

Greg Johns Black Fractal Mandala

Black Fractal Mandala

2002, corten steel, burnt redgum, 132x116x40, Private Collection, Melbourne, Victoria

_A2F7790[16825].jpg

To the Centre

2002/3, corten steel, 350cm high, Port Leo Estate, Sculpture Park, Victoria / Cate Blanchett Collection, Somerset, England

© 2022 Greg Johns Sculpture

bottom of page